Amélie

On the data. One film, and its Paris is an argument. It was a very large international success and remains among the highest grossing French-language films ever made. It also drew real criticism in France for the Paris it shows: scrubbed, nostalgic, and with the city's immigrant population largely absent from a film set in a part of Paris where that population is substantial. Serge Kaganski made this case at length in Les Inrockuptibles and it became a national argument. It is worth knowing the objection exists rather than meeting it later. Audrey Tautou was cast when Jeunet saw her on a poster for another film. Emily Watson had been attached and left, partly over the French. Yann Tiersen's score was mostly assembled from music he had already written, which Jeunet heard on a CD a crew member was playing. The colour grading, heavy green and red throughout, was done digitally and was unusual in 2001.

On your progress. Checkmarks are saved on this device and are tied to permanent title IDs, not to list positions, so new episodes, titles, and whole franchises can be added later without disturbing anything you've already marked. Use Sync & backup to move progress to another device.