Three Danish films that each hand the story to a different character, plus two remakes of the first.
The three Danish films in order. They are not sequels in the usual sense, because each one hands the story to a different person, but the later ones only work if you know who those people were.
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Refn's first film, and the one that made his name and Mads Mikkelsen's. Frank, a week, and a debt. Everything after it assumes you have met this world.
Eight years later and it drops Frank entirely for Tonny, his sidekick from the first film, now out of prison. Go in knowing the lead has changed, because nothing warns you.
Changes lead again, to Milo, who has been in the background of both earlier films. It is the best of the three and it needs the other two, because almost every face in it is someone you have already met.
Then what? Two remakes exist and neither is part of the story: a Hindi language one in 2010 that is very hard to find and very poorly documented, and a British one in 2012 that retells the first film in London with Refn as executive producer. The only thread between the original films and a remake is Zlatko Buric, who plays Milo in all three Danish films and again in the British one.
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