Rear Window

On the data. One film, shot from one room. The entire courtyard was built indoors at Paramount, reportedly one of the largest sets the studio had made, with thirty-odd apartments, several of them fully furnished and plumbed, and a drainage system for the rain. The actors in the far apartments were directed by radio earpiece. The camera never leaves Jeff's apartment. Everything you learn, you learn because he can see it, which is the whole structure and the reason the film still works. It was out of circulation for years. Hitchcock bought the rights to five of his films, including this one, and they were withdrawn until the 1980s, which is why a generation did not see them. A 1998 television version starred Christopher Reeve, four years after the accident that paralysed him. Disturbia, in 2007, used the same premise with teenagers. The estate of the original short story's author sued; the case was decided in the film's favour.

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